How often art imitates life. “I always found dance to be very therapeutic,” Maria Caruso begins. “And it has, in general, had some sort of medical component for me, whether it be physical or psychological.” But now her dance is immersed in health issues as she fashions her 2009-2010 season around awareness.
It really began when Caruso met Dr. Sally Boyle, an author and psychologist who has worked with breast cancer patients. Caruso appreciated Dr. Boyle’s feedback and, when the psychologist suggested a script about breast cancer, she was more than willing to listen.
“I heard so much about the patients that I wanted to do something to honor them,” Caruso notes. But life and art began their own serious dance for the Bodiography founder. Caruso’s internist discovered a lump on her left breast, then sent her for a mammogram. The wait was taxing, but the results were good.
She was cancer-free personally, but wanted to continue to be involved artistically and continued on to create “No More Bad Hair Days.” Three cancer survivors will take the stage to read Dr. Boyle’s script, which has put the dancers on an emotional roller coaster. Even Caruso’s mammogram will serve as inspiration.
Says Caruso, “As artists we’re always doing research, sometimes on sensitive subjects. I always ask myself how I can sure that it is portrayed in the best light. I don’t want to simply describe a situation; I want to see the physician, see the patient and create a ballet about their experiences.”
But Caruso’s awareness won’t end with “No Bad Hair Days.” She’s already working with noted heart surgeons for a work based on heart patients that will take place — no guessing here — in February.
Also on Bodiography’s “Multiplicity” program at the Kelly-Strayhorn Theater will be choreography by Ilana Suprun Clyde, Nicole Cerilli, Kaitlin Dann, Colleen Landwerlen, Alex Salerno and a special performance by Cello Fury. Check the CrossCurrent Listings.
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